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.​.​.​This is the Uplifting Part

by Ensemble Pamplemousse

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    vids here! https://vimeo.com/showcase/7858840
    also available here! https://parlourtapes.bandcamp.com/album/this-is-the-uplifting-part
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This is a collection of works made by Ensemble Pamplemousse. Each work has an accompanying music video or short film.

Pamplemousse presents a video potpourri of proliferous and beautiful explosions through exquisitely intertwined introversion and
exhibitionism. Playfully questioning traditional concepts of sound and music performance, Pamplemousse links acoustic and electronic sound worlds by blending innovative methods of sound production with extended instrumental techniques. Each of the Pamplemousse members specializes in a unique aspect of composition, from Greenwald’s micro- detailed instrumental writing to Marino’s experimental theatre with electronics to Jacobs’ electro-mechanical musical robotics.
Their work plays with conventional perspectives of quality and taste with a critical eye and a whimsical grin.

Please view the vids here: vimeo.com/showcase/7858840

On the album:
Natacha Diels’ extravagant dreaming and mis-wakening (Child of Chimera)
Bryan Jacobs’ reinterpretation of Life Itself, as seen through the eyes of two slide whistles (Organic Synthesis Vol. 1).
Jessie Marino’s fantastical take on tape music (Guillaume de St. Cloud Suffers a Violent Dazzling)
Dave Broome’s sonic adventure through video games (Together Again. Again!)
Andrew Greenwald’s devilishly algorithmic series (A Thing is a Hole in a Thing it is Not (IV))


released March 17, 2017

Mixed and mastered by Bryan Jacobs
Video by Natacha Diels except track 4 by Bryan Jacobs


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Ensemble Pamplemousse Tulsa, Oklahoma

Composer/performer collective Ensemble Pamplemousse was founded in 2003 in New York City. The ensemble is a close-knit group of divergent artistic personalities, emergent from training in disparate musical fields. In the flexible moments of performance, the ensemble weaves together shapes of resonance, clusters of glitch, skitters of hyper action, and masses of absurdity. ... more

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